Emma Nicholas Essays (2456 words) - , Term Papers

Emma Nicholas Professor Fortunato FMP 201 26 April 2013 Final Exam Question One: Hollywood is crowded with a gargantuan amount of films. Each of these films underwent a tumultuous process to become the final product now being shown on the big screen. Often heedless, the average film-uneducated viewer views the film as the whole in which it is being presented. Dive behind the red velvet curtain, taking a peek into the strenuous world of cinema. It is best to "write what you come to know" (Development). This has the tendency to hold as a far more accurate statement. One should commence "with a strong idea inspired by actual events, literature, [or] personal experiences" (Tomaric 3). Though there are other options to exhaust such as already existing sources. In order to use already developed sources or ideas, one must secure the rights. Procuring the rights from the author of a previous work or an individual whose story is inspirational enables the user to proceed with their vision. When the work is either an original creation or acquired rights; a proof of Chain of Title is in order to obtain insurance and distribution (Development). Following a secured Chain of Title happens to the blueprint for the entire film, the script. A script is crafted by a creative screenwriter, who lays out the script in a "format regulated by tradition not law" (Development). Oddly enough, the screenwriter may also be a "hyphenate" in which case they are also producer and director for the film. As the idea has developed from a mental thought to a physical script, then begins the hiring process. The shot list and budget determine what crew positions are needed to fill on set. Perhaps it is wise to begin with hiring a producer, whom "makes the overall project take shape" (Who). In charge of the artistic vision of the film is the director who "translates and visually gives life to the screenplay" (Who). Preceding these, hire the director of photography, production designer and unit production manager. In which case, grant these position holders the ability to appoint department heads. Making the job easier on the individual heading the film, these department heads will hire subordinate crew members, who must be approved by the directors themselves. Trailing this process, crew members are required to sign a crew deal memo outlining the terms of their employment (Tomaric). With employees comes paychecks and these paychecks add a crucial part in the budgeting. Beginning with selecting a business formula, it must be established whether the film is for profit or art (Tomaric). Collaborate with a line producer to develop a budget to show investors. If using investors on a film, there lies the "rule of three: meet and know your investors personally." Shape the budget by shuffling scenes, reducing the numbers of shooting days, tightening actors' schedules and reducing camera set-ups. Determine union payment guidelines and restrictions concerning the actors and crew. Develop a business plan that includes the budget, script, attached actors and key crew positions. Approach investors to raise money for the project. Form a company and open a bank account. With budget intact, begins pre-production. And where will the film be shot? First, hire a location scout who knows the local area. It is imperative to capture pictures of every location using the panoramic technique. A local film commission sometimes has panoramic shots of popular locations. Location scouting needs to occur early in order for "tech scouts" to choose the location (Pre-production). Secure the location by contract, specifying the conditions upon arrival and return. Inquire the exact price of location, the days/hours it will be used. And after using the location were the ending conditions the same or does it need to be restored to its original condition. Locations are finalized, next step, putting them to good use. At the start of production each morning coffee and breakfast are set-up before call-time. The set location is unlocked and secured. Cast and crew begin arriving based on their call times. Frist assistant director walks everyone through the set before the crew begins unloading equipment in designated areas. Make-up and hair departments set-up and begin prepping the actors. Then there is a meeting with the entire cast and crew to review the scenes

Warm Feelings For Cold Blood Essays - Cinema Of The United States

Warm Feelings For Cold Blood Essays - Cinema Of The United States Warm Feelings For Cold Blood In Cold Blood is a novel written by Truman Capote in 1966. In Cold Blood is a true account of a multiple murder case that took place in Kansas in the 1950s. The book outlines a brutal murder case, but it shows the story from many perspectives, not just that of the law. Capote introduces you to the Clutter family, a well known, very hard working and loyal family to the community. The town of Holcomb is a small farming town. There is not much excitement in the town, and that is the way the people liked it. Everyone went to church and the community trusted each other, until the unthinkable happened. The towns most prominent family was killed. It is even worse when the only clues are two sets of boot tracks. Everyone in and around the town become scared because if such evil could be brought upon the best family known, what will happen to them? When Truman Capote wrote In Cold Blood, he wrote a masterpiece. When he wrote the book he developed the character Perry so that even after you wat ched him kill you feel sympathetic for him. He proves that you can even see some good in the worst of people. He does this by slowly developing Perrys character. He gave an in-depth view of Perrys world. He showed that Perry, although he had troubles in his life and sometimes had a total disregard for peoples life he also respected the people. Perry felt bad for some of the people he met. He also was willing to forgive people. Truman Capote was born Truman Streckfus Persons, in New Orleans September 30th 1924. His parents got a divorce when he was four and his mother later remarried and took on the last name of his stepfather. Capotes childhood was extremely insecure. He was handed back and forth between relatives. When Capote was a child he started to write to deal with the loneliness. At age ten, Capote made up his mind to become a professional writer. Because he knew what he wanted to do with his life, Capote shied away from formal schooling. (Breit) By his mid teenage years he w as technically accomplished writer. He stopped going to formal school when he was seventeen. He received a job at the New Yorker magazine. There he was just an errand boy but was noticed because of his mannerisms. During the early stages of World War II, Capotes interests still focused on his writing. (Norden p162) In June 1945, his short story Miraim brought him a lot of attention. It led to his first novel contract. Most of his early works were considered gothic but he also had many qualities that made people think that his work in the future had a lot of potential and those people were not wrong. (Breit) Capotes work did develop past gothicism although some of the old traits lingered in his later works. He had a wide range of attitude in his stories, from horror stories and psychological collapse to stories of magical children. Capote never married but became friends with some of Americas most glamorous women. Capote had been declared professionally dead several times but after e ach time he came back and proved that he was still alive and well. In 1959 Capote officially decided to start work on a nonfiction novel. In November of the same year he read about a multiple murder case in Kansas. He decided to use this crime as the bases for his novel. He devoted all his time and energy for the next six years on the development of this novel. He started his research before the murders were caught. He was in the town when they were put in Jail. Capote lived in the town of Holcomb for a while to gain the trust of the townspeople and of the murderers. In 1965 when Capote finally finished he published the finished product in four articles in the New Yorker and in 1966 and it published in book form. In Cold Blood earned Capote more money then all of his previous works put together. This book created a big controversy because Capote